EROMANGA
HALL OF FAME

Can a whole book be carried on a single predilection? "Inma Senyou Sharyou" stands in the hall as the book that answered the question in 31 pages.

The setting is a fictional succubus-only carriage, the women-only car of the commuter railway turned inside out. The headstrong schoolgirl who makes a running boarding has lost her way out the moment she steps aboard. What waits for her is not a person but a tall succubus with a stalker's temperament. As the title makes plain, it is a yuri work whose subject is groping on a train and non-consent, and it announces in its very title that it narrows itself to a single conceit.

The design of the book lies in constraint. The setup takes only a few pages, and the situation is built without an exit from the start. Everything after is a standing scene inside the carriage; neither place nor partner changes. Reader comment gathers on the construction itself, the feat of carrying 31 pages on one conceit. The fictional frame announced by the series name, Yuri Ranbou, and an assailant who is not human keep the subject apart from any re-enactment of reality.

It is the third volume of Tamaland's Yuri Ranbou series, assembled as a new release for Comiket 101. Its author, Tamano Chichi, keeps returning to the same conceit as subject; a parallel series puts the same word in the title of its first volume. Many readers say they buy on the author's name alone. The book records a way of working that doujin makes possible: an artist who narrows to one taste, keeps digging, and wins a loyal readership.

It stands 44th among the hall's doujin works, 3rd in the yuri division and 6th in Ahegao. Tamaland has three works in the hall, and this one stands at their head.